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HISTORY

The Beginnings

The Middle Ages

The 1700s

The 1800s

The 1900s

The TEST
 


 


 
 
 
 
 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

One famous English mime artist was Joseph Grimaldi. He worked several London theaters using the stage name “Joey”. Joseph Grimaldi contributions to the development of clowning is so revered that in clown circles today a fellow clown is often referred to as a “Joey”.

Grimaldi painted his face white and added designs of red triangles to his cheeks. This was the birth of the “Comic Whiteface Clown” of today. 
His costume was:

  • a cut away shirt 
  • white knee breeches 
  • a blue crest wig on his head. 

Not only did Grimaldi improve the appearance of the whiteface clown, he also transformed the whiteface clown into the dominant character who instigated the 
pranks instead of being the target. Grimaldi’s work was so recognized that 
through the course of time,

Joseph Grimaldi has become known as the “Father of Clowning”.
 

1869, Germany saw the birth of a new style of clown, 
the birth of the “Auguste” clown.

Tom Belling, a circus acrobat, was injured during a performance. During his recovery time, to amuse his co-workers back stage Tom would put on baggy pants, a wig on backward that was tied in a top knot and Tom would “clown around”. One day he accidentally ran into the circus arena, stumbling and falling. The crowd roared with laughter, shouting “Auguste” which means “Stupid’ or “Silly”.

The costume evolved into:

  • bright colors 
  • makeup used exaggerated eyes, mouth, and nose 

The auguste clown was:

  • boisterous 
  • slow-witted 
  • a fumbler in contrast to the skilled whiteface clown. 

After the American Civil War, about 1865, 
the tramp or hobo clown developed

being inspired by the homeless and migratory workers of that time who roamed 
America on the trains.

WC Fields was a tramp clown, but he changed his image for motion pictures, dropping the tramp look.

Emmett Kelly was the best known tramp clown with his character "Weary Willie."

    We find the tramp clowns to be skilled: 

      • jugglers 
      • magicians 
      • pianists 
      • chalk talk artist 
      • cyclists. 

We find happy tramps and angry tramps. There seems to be a wide variety of tramp clowns. The most traditional thing about tramp clowns is that nothing is traditional except the white mouth, which was derived from minstrel blackface make-up. 
 

During the late 1800s in America, there were many 
popular clowns. 
Dan Rice was dubbed “King of American Clowns”.

Dan Rice often worked with trained animals such as pigs, dogs and horses.

His stage name was “Yankee Dan” who appeared in costumes of:

  • red 
  • white 
  • blue 
  • with a large top hat. 

With this patriotic look, Dan Rice became known as “Uncle Sam” a figure that has remained throughout the years. By 1862, Dan Rice was earning $1000 a week, twice as much as President Lincoln.

Comic antics have been important in the role of clowns, 
but foremost have been their skills. From animal trainers 
and musicians to contortionist and jugglers, 
they all performed some type of skill.
 

In the late 1800s, Carl Bagessen, from Denmark, performed as a juggler. But missing a trick led him to a dish breaking act. He became the sad sack waiter, breaking dozens of plates each show. In France, children would see his performance and go home and raid the household for plates to break.

Carl Bagessen was the first and foremost smasher of plates. Where Carl Bagessen made noise smashing plates, Adrien Wellach, “Grock” made beautiful music. For 50 years he did musical antics and routines that made him famous world wide. He played nine instruments. “Grock” spoke very little during his routines, his musical talent spoke for him. 

“You don’t need to smear your face with red and white and 
put on a grotesque costume… You have to create laughter 
naturally, with out gimmicks.”             -Carl Bagessen


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